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Given free rein with her camera throughout its entire run, Sloan, 37, was one of the few crew members who interacted with virtually everyone involved, from actors and producers to painters and plasterers. It was “scruffy and unpleasant,” Williams recalls, but it was big, with 90-foot ceilings that comfortably fit six Game of Thrones sound stages. I always shoot in manual. I don't have to go outside my comfort zone – they trust me to do my thing. I can shoot up to 1000 images a day, although some days it's too dark to go behind the scenes, so I'll max out at a low number of usable photos. Game of Thrones has helped the 1.8 million residents of Northern Ireland contemplate a future beyond grim headlines. The most ambitious and most honored show of the decade has pumped more than $250 million into the local economy since 2009, provided jobs and training for hundreds of crew members, and spawned a thriving tourism trade. In 2008, after working on projects from war to sci-fi to horror to fantasy, I was asked to submit my portfolio for a new series, Game of Thrones, and they saw something in my images that matched their vision for the show, so I was there from day one. Helen Sloan Photography Ltd register address is 103 UPPER NEWTOWNARDS ROAD, BELFAST (area code: BT4 3HW) . The fantasy canines of the series — known as direwolves — have inspired entrepreneurial efforts. There are so many photographers now and everything is expected to be super-processed, hyper-sharp and perfect, so the way your work is going to stand out is if you're totally true to your art and you capture the emotion. "I’m sure he’s not happy about that.". There's so much to shoot – locations, portraits of the actors for posters, atmosphere, behind the scenes – it's 360° of possibility all the time, and it's my job to shoot it all, so no pressure there! Click here to find personal data about Helen Sloan including phone numbers, addresses, directorships, electoral roll information, related property prices and other useful information. Being a freelancer - we don't have a "ladder" to climb like in other professions, and yet we still judge ourselves on that system. "You can’t really overstate the difference between the screen industry in Northern Ireland before Game of Thrones and the screen industry after Game of Thrones," says Richard Williams, chief executive of Northern Ireland Screen, an agency that promotes the local film and television industry. ... To begin with Storehouse North Down was linked with Storehouse Belfast, but we are now independent and are in the process of becoming a charity in our own right. For a start, there's the high ISO. A project of this magnitude in a country with less than 2 million people means that seemingly every taxi driver has a story to share about someone who was involved in a pivotal way. I was aware of some organisations in our area trying to help people in dire straits. It was through the Bangor Inter Church Community Initiative (BICCI) that I became aware of organisations in North Down who were trying to help people in dire straits. My style is quite different from a lot of other stills photographers. In the days of film, I'd probably reject nine out of every ten shots developed. I can’t do more and God knows that. I'll have the ISO up pretty high usually – it suits my work. (In a minor act of heresy, he opted to skip the traditional black pudding, a concoction whose ingredients include pork blood and oats.). I have learnt to listen and stay quiet long enough to listen. I contacted Francis Rutledge of Christians Against Poverty (CAP) to ask for help for this man. I never use flash unless I'm in the studio – there wouldn't be a reason for me to use flash on set – and I always hand-hold. One of the developments has been to provide children’s clothes and nursery equipment. People like Margaret Bailie and others from West Church who had been running The Abba Trust (it had always been their vision that the Abba Trust be a church wide initiative) for 20 years, Celia Matthews of St Vincent de Paul (who had a food ministry) and CAP. Well I sleep at night knowing I have done my absolute best. Today my everyday kit includes two D3 bodies, the D800, which I use in the studio for posters, and two Df bodies – I liked the Df so much that I had to get two! My own advice would be to keep learning, keep looking, keep trying, and don't be offended when doors close – it's usually not personal, so just keep knocking on other doors. They can be classed as ‘work poor’, a group which has been identified more widely in the press and the news in recent months. Then I do my own colour grading and retouching. A: For many years I had been involved in youth and community work on a voluntary basis, initially in East Belfast before moving to Bangor in the early 1980’s. “We’ve come so far as a people, and now we have this jewel in the crown to be so proud of,” she says. For this past   two years BICCI has organised a Christmas Day lunch for a number of vulnerable people in our community and all thanks to the likes of  Primacy Meats, M&S, Tesco, Sainsburys, ASDA and Lidl, it didn’t cost us a penny! He had ample opportunity to do so on Game of Thrones, which concluded its run on HBO a few weeks ago. The long, intense hours on the set inevitably led to a lot of discussions between people who grew up on different sides of the political struggles, she says. It's incredible to work on such a popular show and from the beginning, too – it's such a thrill, and I never take it for granted. People ask me how do I sleep at night. . Some photographers use monopods, but I find they get in the way. Fusing art and the wider creative industries, we provide a platform for inspiration, international networking, discovery & personal development. My previous job experience has enabled me to know when people aren’t telling me the whole truth or are trying to take advantage of our system. Tensions between Irish nationalists, who are predominantly Catholic and favor a united Ireland, and British loyalists, who are mostly Protestant and want to remain part of the United Kingdom, have existed for hundreds of years — the Europa, as a high-profile economic target, was bombed more than 30 times by the Irish Republican Army — but the country has been mostly free of that violence since the Good Friday Agreement of 1998. Interview with Helen Sloan from Storehouse. Q: What’s God saying to you about the future? Game of Thrones tourism is booming — 350,000 visitors contributed at least $64 million to the local economy in 2018 — in sometimes unexpected ways. I'll go onto the set, watch the rehearsals, and the day doesn't really stop. Meet Helen Sloan from Storehouse. At times it can be frustrating too. The company Standard Industrial Classification is 59113, so Helen Sloan Photography Ltd is engaged in Television programme production activities. The play started in Belfast before transferring to London’s West End and, eventually, Broadway, where Hill earned a Tony nomination in 2001. So much more could be achieved. Almost no one recognized Conleth Hill, the actor who plays Lord Varys, the bald eunuch and royal adviser whose cunning enabled him to survive nearly eight seasons on one of TV’s bloodiest shows, Game of Thrones, without ever lifting a sword. A: Not to judge people. Q. I'd heard of Game of Thrones but I'd never read the books, and I decided not to read them when I got the job, either. My cameras are just so reliable – they travel a lot and get bashed around, but I've never had a problem with them. Ten years ago, there were no full-time studio facilities in the country. A: It was really when I was dealing with an ethnic minority man I was trying to help who lived in a shared house in Bangor. Q: What have you learned from your experience with Storehouse? I’m happy to meet with small groups in church or in private homes to demonstrate the wide range of pure, safe and beneficial products. The Europa Hotel in Belfast was once known as the most bombed hotel in Europe, but on a Friday morning in April, it was bustling with tourists and weekenders enjoying a hearty breakfast buffet. I just keep praying we can all be united, everyone working together – churches, agencies, and charities. I start work on series six of Game of Thrones in July. Extras planned vacations from work so they could come back to the series each season. We don’t advertise as I don’t want to spoil things for other charities. They were known to be fiercely loyal to their fictional roles; some background actors who were cast as members of the Night’s Watch have been around since the pilot. And Helen Sloan, Game of Thrones' principal stills photographer, has documented it all. It was physically demanding for crew and cast, and mentally demanding for the production team. Seven years on, with filming for the seventh series of Game of Thrones about to start, we caught up with Helen in a rare break in her schedule to find out more about how she went from shooting circus acrobats and Icelandic landscapes to the blood, guts and high drama of HBO's most popular TV show ever – and how her Nikon kit handles this most unusual of work environments with aplomb. Thinking about the future and additional funding for Storehouse, I have taken on a cosmetics business new to Northern Ireland, to run as a social enterprise and 25% of the money made on that will go to Storehouse. Helen Sloan She was born in Ireland in a family environment of artistic parents – father interested in art work and mother in music and both pursued teaching profession.

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